Chapter 20:
Changes
Arnold and Lucidia
get into the elevator as dizzy trombones blast from Arnold’s
pocket. The elevator stops suddenly and the emergency exit on the
ceiling slams open. The woman with thoughts streaming out of her head
jumps down from the ceiling door and grabs Arnold from behind. The
man in shadows jumps and holds onto Lucidia.
‘You fools!’
The woman says. ‘We have you now!’
The man in shadows
behind Lucidia grabs Arnold’s shoulder and throws him against the
wall.
A lightening
flash crashes from the ceiling and freezes them.
‘Up here!’
Vialba reaches down for them. Arnold tears free from the woman’s
frozen grip and they climb out of the emergency exit. Ice cracks
below them.
‘You need to
get out of here!’ Vialba says. ‘I’ll hold them off.’ She
shoots another lightning bolt down into the elevator.
Arnold takes the
elephant out of his pocket and they dive into the ground. After a few
minutes, they rise up into the library near Jed and Lance.
‘Arnold!
Lucidia! How did it go?’ Jed asks. Him and Lance sit at the
conference table.
‘Tina has her
voice back,’ Arnold says.
‘And the two
sides of Two-Way Town need a few days to talk,’ Lucidia adds.
‘Great to hear!”
Jed says.
‘Good job,
guys!’ Lance pats Arnold on the back.
‘Thanks,’
Arnold says, ‘but it ended with a close call.’
‘What happened?’
Jed asks.
‘An evil witch
found us! Vialba kept them off long enough so we could get away, but
I’m worried she may be in danger.’
‘Who are they?’
Lucidia asks.
‘There’s
nothing in the books about them, which tells me that they are
relatively new mutations in this world.’ Jed leafs through a book
on the desk as he speaks.
Lance stands up
and hands Arnold and Lucidia a mask each.
‘What are these
for?’ Lucidia asks.
‘This is to
conceal your identity. The way that this next task is undertaken is
very important, Lucidia, so I have educated Lance and have given him
the instructions.’
‘Okay.’
Lucidia nods.
‘You can use
these masks twice to look different, but then after that it makes you
invisible. Lucidia, you can’t be invisible for this, so make sure
you only put the mask on before you go. And don’t take it off and
put it back on. Arnold and Lance, you need to be invisible, so please
put your masks on a few times.
Arnold puts his
mask on and turns into a flock of seagulls. He takes it off and
becomes himself, puts it on and turns into a bicycle and then back to
himself again. When he puts in on again, he disappears.
‘Perfect!’ Jed
says.
Lance puts his
mask on a few times and turns into a woman and then an ant hill
before becoming invisible.
‘Alright,’ Jed
says. ‘Lance will explain some things on the way. Make sure to
listen to his instructions, Lucidia. He’ll tell you what to say if
you need to speak. You and Arnold will be the only ones who can hear
his voice.’
‘Okay.’
Lucidia’s voice is shaky. She puts her mask on and shrinks
slightly, morphing into an elderly woman with dyed auburn hair. Her
clothes make her appear to be a banker.
An invisible
Arnold pulls the elephant out of his pocket.
‘To Tirinodo,’
Lance says.
Lucidia sinks into
the ground, seemingly alone on the elephant’s back.
In Tirinodo, hover
cars rush between gold-plated sky-scrapers. Sap clouds droop like
molasses down the tallest buildings, while metallic ragtime provides
a mechanical heartbeat of the city. Arnold, Lucidia, and Lance arrive
outside of a museum beside a hot-air yacht club.
‘We need to go
into that museum,’ an invisible Lance says from Lucidia’s right.
They climb a
staircase that resembles the entrance to an amphitheatre and open a
door made of glass. Natural sunlight pours through the windows of the
main entrance and a plaque is mounted on the wall.
‘Donated by the
Banker Family.’
‘Where to,
Lance?’ Lucidia asks.
‘The museum’s
connected to the old Banker family’s house. We need to find it.’
Lucidia nods and
makes her way through the glass hallway, catching her 70 year- old
banker disguise’s reflection in the glass. At the end of the
hallway are two doors. The left one says ‘Artifacts’ and the
wooden door on the right says, ‘Banker Family Home’. Below it
reads:
‘Donated by
the city after The Banker Family passed on. Let the Banker family
teach us the value of our financial goals and remind us that straying
from the Tirinodo ideal will bring tragedy to those around us.’
‘That’s kind
of eerie,’ Lucidia says.
‘Once we get in
the house,’ Lance says, ‘pretend you’re alone, Lucidia, and
repeat what I say if we encounter anyone.’
‘Okay,’
Lucidia pushes the door open and they enter.
‘We need to find
the basement.’ Lance says.
The smell of
mothballs fills the air and Lucidia breaks through cobwebs as she
enters. Splinters of light shine through wooden boards that cover the
windows. The house creeks as she explores the front living room. Her
breathing is loud and shallow. She makes her way through the living
room and spots a door next to the kitchen entrance. She opens it to
reveal a staircase leading to a basement.
Feeling for a
light switch, she finds one beside the bottom of the staircase and
flicks it on as she walks down. A dim light appears in the far corner
and she begins to explore the basement. The metallic ragtime music
crashes and thuds out from the furnace at the back of the room.
A cloaked woman
emerges from behind the old furnace. A loose hood conceals her face,
but she appears old and frail. ‘Who goes there?’ Her weak voice
says from under her hood.
‘A curious
tourist,’ Lance whispers to Lucidia.
‘A curious
tourist,’ Lucidia says aloud with her voice trembling.
‘Hmm,’ the
lady in the shadows says. ‘I ‘m obligated to answer any questions
you may have.’ She speaks as though a slave to this remark, absent
of kindness.
‘Who are you?’
Lucidia asks with a voice that matches her old-lady disguise.
‘Mrs. Banker!’
The lady says from the darkness. Her face catches a brief beam of
light from a window and Lucidia can see that she is no more than a
skeleton with patches of hair on top of her head. Her face retreats
back into the shadows.
‘Why are you
here?’ Lance whispers to Lucidia.
‘Why are you
here?’ Lucidia keeps her distance from the cloaked Mrs. Banker.
‘I won’t leave
this world until I know she can’t undo what we’ve done!’
‘Who?’ Lucidia
asks before Lance’s instruction.
‘My nasty
daughter,’ Mrs. Banker says. ‘She ran away and shamed our family!
They say she’s dead, but I won’t believe it until I see her
corpse!’ Mrs. Banker gets closer to Lucidia. ‘I must guard the
crank and if she comes to turn it, I can kill her myself.’
‘What’s the
crank?’ Lance whispers.
‘What’s the
crank?’ Lucidia asks.
Mrs. Banker pulls
a dusty blanket off of a circular metal crank. It’s handle is
connected to a large wheel of gears.
‘This is the
crank that our family turned to make the three levels of this city.
It can only be turned by us, so when we’re gone, Tirinodo will
remain how it is. But if she were to come and crank it, all
would be lost!’ Mrs. Banker pulls out a rusty scythe. ‘Silly
little thing would probably think she could come alone!’ She laugh
and leaves the shadows.
The ragtime storms
inside the furnace, pulsating the deep ground of Tirinodo and rising.
Mrs. Banker gives a slow and long whiff through her nose, picking up
Lucidia’s scent.
Lucidia’s teeth
begin to chatter and Mrs. Banker strikes at her with the scythe.
Lance’s unseen arm blocks the attack and Mrs. Banker bursts into
dust and falls to the floor. Lance becomes visible as he screams and
bursts into dust as well.
Arnold takes his
mask off and becomes visible. He and Lucidia stare at the ground
where Lance just was, stunned by the tragedy. The Elephant comes out
of Arnold’s pocket and blows a trombone blues song from a New
Orleans funeral march.
But the furnace is
too loud. It shakes and commands their attention, ready to blow.
‘The crank!’
Lucidia yells. They run to the crank and Lucidia begins to turn it.
The walls catch fire as she gains momentum. As it passes one full
rotation, the crank breaks and an earthquake erupts.
‘Let’s get out
of here!’ Arnold yells as he coughs in the smoke.
They run up the
stairs and find a side door in a hurry. The earthquake knocks them
off their feet and they fall onto the ground. Looking up, they see
the sap clouds dripping down from the sky and becoming more
transparent. The furnace explodes from the basement, and then there’s
silence.