Part
Two: FATE
Chapter 6: Escape
‘Meet us back at
the Common Room for dinner, Arnold,’ The Journalist says as they part.
‘Get some rest,
Arnold, an adventure’s at hand!’ Sgt. Pepper salutes Arnold and then marches
away with Tina smiling and waving goodbye.
On his way to
car 2, Arnold realizes he can’t find his room. He paces along the hallway and spots
Vernon rolling down towards him.
‘Hey Vernon,’
Arnold says, ‘I forget which room I’m in!’
Vernon gives a
smile. ‘Right this way.’ He leads him to room 4 and opens the door. ‘I was actually looking for you, Arnold. Can I
come in?’
‘Of course.’
Arnold holds the door open to let him in. ‘What’s going on?’ Arnold notices a
worried look on Vernon’s face.
‘May I use your
computer?’ Vernon asks.
‘Do I have one?’
Arnold looks around the room.
Vernon rolls over
to the window and presses a button on the frame. A fuzzy screen appears over
the window. He inserts a disk into a thin slit in the wall and what looks like
surveillance footage appears on the screen. Arnold walks closer to the window.
‘Do you remember
seeing this woman during lunch in the common room?’ Vernon asks. The screen shows
the woman that had her thoughts streaming out of her head in the Common Room.
‘Yeah, I
remember seeing her.’ He says.
‘Yes, well, we
were paying very close attention to her.
This is the footage of when you walked into the Common Room.’ Vernon touches
his finger onto the screen and the video starts to play. ‘Watch the middle
section of the thought stream. That’s where the most conscious thoughts are.’
Arnold watches the
screen. He sees himself walking into the Common Room and the woman watches him
closely.
‘There he is!’ The
woman’s thoughts say. ‘He has it! Haha! I’ll have to kill him in his sleep and
get it …better get things in order…food’s here…ooooh, noodle sandwich!’
Vernon pauses
the video and turns to Arnold, who walks back over to the table and slumps
down. His face is pale.
‘Do you have any
idea what she wants from you?’ Vernon asks.
Arnold feels
around in his empty pockets. ‘I still had your pocket watch then,’ Arnold says
as he thinks about it. His voice rises. ‘A bearded witch in Circus City said it’s
powerful! She was worried about it falling into the wrong hands!’
‘But there are
hundreds of these on the train!’ Vernon pulls out the medallion, ‘and this one’s
been broken since you gave it back!’
‘What do I do?’
Arnold asks.
‘We’ve scheduled
an emergency departure for you on the Gondola. You will get to Tirinodo four
hours before the train.’ He hands Arnold two tickets. ‘These are good for
trains, boats, hovercrafts, balloons, and busses!’
Arnold takes the
tickets and puts them in his pocket. ‘Thanks.’
Vernon hands him
a green satchel. ‘There’s some clothing in there, and would you take the watch
with you?’
‘Are you
serious?’ Arnold begins to leave the room.
‘Well, if it is powerful, it may be better off the
train.’ Vernon pulls the medallion out of his pocket and holds it out to Arnold.
When Arnold takes
hold of it, it lights up and starts working again. He places it into the green
satchel and jogs behind the sound of Vernon wheel screeching down the hallway.
‘It’s meant to be,’ he thinks to himself. He catches up to Vernon as he opens
an invisible door. Behind it is a take-off porch constructed on the outside of
the train. The porch has what looks like ski-lifts on a wire leaving the train
in single-file like a gondola.
‘It only runs
for another minute or so and then detaches from the train. You’ll be in
Tirinodo in less than twenty minutes! But it’s nearly evening there already, so
be careful.’
Arnold steps
onto the edge of the deck and is swept away by the next gondola. Wind gusts in
his ears and he hardly hears Vernon yell ‘good luck!’ behind him as he drifts
away.
Chapter 7: Tirinodo Bound
Arnold
soars above a dark body of water on the gondola. Clouds with neon lining rise
from the edge of the horizon. Mechanical ragtime music blares out of the
distant sky ahead of him. He looks behind him and sees ten gondolas. The rest are
behind a thick sheet of fog.
A shadow
suddenly appears from behind the fog and lands on the tenth gondola back. Arnold begins to shake and his heart races. He
grabs ahold of his satchel, looks ahead, and jumps forward, grabbing ahold of
the next gondola and pulling himself on to it. When he looks back, he sees the dark
figure leap from the tenth to the ninth gondola.
‘Don’t look
back!’ Arnold says aloud. He jumps from one gondola to the next over and over until
his limbs become numb. The mechanical ragtime is louder and sounds like sheets
of metal being ripped as he moves towards the city.
He finally
reaches the end of the gondola and jumps onto a beach that lines an ocean.
Ahead to the right, the beach leads to a tall and smoggy city. Buildings tear
into the sky. The tops of the buildings are smothered by drooping sap clouds that
drip down the top floors. Arnold runs down the beach towards the city. Hover
cars appear in his vision. He runs through traffic on the road and turns left
onto another street, arriving at a restaurant called ‘Angelos’.
The building is
gold and silver chromed and spans high into the sap clouds. With quite some
effort, Arnold pulls the door open. He’s welcomed by a man twice his size wearing
a black and white tuxedo, grease-slicked hair, and a thin, twirled mustache. He
looks Arnold up and down before speaking.
‘Excuse me,’ the
man says with a polite tone, ‘but this restaurant is reserved for elites only. If you’re hungry, please
make your way to middle or lower town.’ He begins to close the door.
Arnold is about
to plead for refuge, but the man interrupts him.
‘Wait! Are you here
to apply for the position in the kitchen?’ The man looks down at him.
‘I am!’ Arnold moves
away from the front door as he speaks. ‘I don’t have a resume, but I have lots
of experience!’
The man closes the door and leads Arnold to
the main entrance. ‘I am matre’dee Jozef! Let me show you around.’
He leads Arnold
through the entrance way and into the dining room. Crystal chandeliers hang
from the ceiling, silver-lined mirrors are mounted on the walls, and men in
plastic business suits drink liters of red wine like drunken hyenas.
‘The kitchen is
right this way.’ Jozef leads Arnold past the dining area, through a set of
swinging doors, and into a hallway that has red pasta sauce splattered on the
walls. They enter into the kitchen, where two chefs stand in steam above a pot of
boiling water and a sizzling wok. Jozef pulls out a leather strap and whips them.
Fire erupts under the wok and the chefs perk up like re-charged mechanical
puppets.
Jozef laughs out
loud like a proud zoo-keeper as they leave the kitchen.
‘Over here is
where the shipments come in fresh off the boat.’ He leads Arnold farther down
the hallway and opens a door. A long tunnel leads to a dock in the distance.
‘This is our
Shipment Tunnel. It is the safest way to ensure that the dirty hands of the
poor don’t tamper with our foreign delicacies.’ He laughs again.
‘I see.’ Arnold
forces a giggle.
‘And over here
is where you would do your prep work.’ Jozef closes the door to the tunnel.
‘Could you show
me where the washroom is?’ Arnold asks.
‘The staff
washrooms are right over there.’ Jozef points to a door down the hall. ‘I will check
on the guests and then we can finish the tour.’
Arnold walks in
slow motion towards the staff washroom. He watches as Jozef walks through the
set of swinging doors and then runs to the tunnel door and escapes into the
Shipment Tunnel. The tunnel is made of limestone and is about fifty yards long.
When Arnold arrives at the end of it, he sees that a boat has docked.
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